The Savage Hunt Of King Stakh

"We have more ghosts than live people," murmurs the pale, haunted mistress of the mansion of Marsh Firs (Elena Dimitrova) to a scholar of ancient folklore (Boris Plotnikov) who has arrived at her castle to research the bloody legend of King Stakh, a murdered 15th century nobleman whose spirit supposedly thunders through the local woodlands. (The Wild Hunt is a fixture of northern European folklore in which a sinister figure leads a chase followed by ghostly companions.) Part folk horror, part supernatural mystery, KING STAKH is a melancholy, chilling mixture of Terry Gilliam, Italian Gothic Horror, 1960s Hammer Films and THE WICKER MAN - and a major rediscovery for genre fans. The longer the young scholar stays in this mysterious house of "shadow, gloom, madness and death," the more strange and surreal the imagery becomes: a mad widow in a white wig; a man bleeding spontaneously from his skull; a dwarf hiding in a decayed doll's house; screeching ravens and maniacal puppet shows. Based on the novel by Belarusian writer Uladzimir Karatkievich, the long-unavailable KING STAKH has recently been restored from the original film elements in its extended 126 min. Director's Cut by Deaf Crocodile and Seagull Films for its first-ever U.S. release.