Shock Cinema #65

SHOCK CINEMA 65. Interviews with William Sadler, Martine Beswicke, Emily Lloyd, Kathryn Leigh Scott and Constance Towers. Reviews include George Segal and Shirley Knight in The Lie, written by Ingmar Bergman; Dolores Faith in Wild Harvest; Donald Pleasence in The Big Day; Mylène Demongeot in What Price Murder [Une Manche et la Belle]; Stewart Petersen in Lyman Dayton's Rivals; Peter Falk, Vic Morrow and Peter Lawford in A Step Out of Line; Kylie Foster in Tony Paterson's Centrespread; Bridgette Andersen in Éric Rochat's Too Much; Edward J. Forsyth's Caged Men [a.k.a. I'm Going To Get You Elliot Boy]; Jindrich Polák's A Game Without Rules [Hra Bez Pravidel]; Helga Anders in Rabbit in the Pit [Häschen in der Grube]; Arne Skouen's Fire in the Night [Det Brenner i Natt!]; Martin Potter and Julie Foster in All Coppers Are...; Cliff Potts in Cry For Me Billy; Shannon Whirry in Lee Frost's Private Obsession; Robert Powell in The Wednesday Play: "The Hunting of Lionel Crane"; Frank Bonner in The Hoax; Tony Musante in Damiano Damiani's Goodbye & Amen; Yasuharu Hasebe's Black Tight Killers; Joe Adair in Pat Rocco's Drifter; Gerald McRaney and Shawnee Smith in Easy Prey; Bob Hoskins and Dan Aykroyd in Rainbow; Kurt Raab and Margit Carstensen in Ulli Lommel's Adolf & Marlene; Karen Young in Deep in the Heart; Fabio Testi in Lucio Fulci's The Four of the Apocalypse; et cetera.